Thursday, March 27, 2014

Fashion archive: How to look ship shape on a cruise

I have only once been on a cruise, and that was long ago. It was 1958, the summer of the sack. The sack was a dress that hung straight from the shoulders, ignoring the waist, and was pulled into a hem or tight band just below the knee. Although 1958 was the year when the sack became a general fashion, it first appeared in haute couture the previous year. I remember the Italian couturière Simonetta at parties in Rome wearing the sack in high Roman fashion, as to the manner born. Indeed, it was she who gave it birth.

But by the time the sack reached England, home, and Harrods, its disadvantages as an everyday fashion became apparent. You could not sit down without first hitching up your dress well above the knee, nor get in or out of your car, nor walk upstairs. And that is where we get back to cruising - and ships' companion ways. Cruise passengers at that time tended to be middle-aged and over fed. To see them struggling up companion ways with high-hitched skirts and creeping down sideways like crabs, was a sight for cynical eyes.

Since the year of the sack, the average age of cruise passengers has fallen dramatically, while the total numbers have risen year by year. Nearly all big stores and fashion shops now have cruisewear departments open all the year round. And fashion itself has become so liberated and wear-when-you-will that, swimwear and suntops apart, anything you buy for a cruise has plenty of uses afterwards. Moreover, it so happens that this year's fashions in everyday things seem peculiarly appropriate for cruising. There are exceptions, of course. Jeans rolled up at the ankle as worn now just right. But not those thick soled wooden clogs. Clogs on a companion way would be more disastrous than the sack. Low-heeled sandals, espadrilles, and good deck shoes are what you need. Dunlop's "Trainer" shoes, red or navy with white, are ideal and only about £1; or Clark's new range of "Popons" with serrated crêpe soles, beautifully light and flexible. There is a particularly good lace-up version in navy leather and white canvas, with cushioned inside sole.

Nautical style

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The fashion for blazers this year fits in well with a cruising holiday: but on windy decks and gangways, the all-round pleated skirts that often go with them can blow up like an umbrella turning inside out. A good point about the skirt with the striped blazer in our picture is that it is only pleated in front.

The current craze for clothes with a “sailor" influence needs, in my opinion, to be played down when you get where the real sailors are. It was not I who pinned on those anchor emblems to the caps and jersey blouse. The belted jacket is only remotely "sailor inspired," and could in no sense be called a parody. Rather it is a follow-through from Saint Laurent's "topper," an invaluable garment to wear with pants, with skirts, with dresses - and has the virtue of good pockets, so that you do not need to carry a handbag around all day.

Our travel editor says the mistake most first-time cruisers make is not to have a really thick sweater and some kind of warm coat, since evenings can be cold, and even daytimes chilly. For the rest, take a jersey or linen-type pants, a variety of tops, and the shorts of last summer would not come amiss. The form for evenings is casual. Something short and something long, perhaps a pair of silk pants and a few evening tops - everything in light, uncreasable fabrics.

I have been thinking in terms of keeping costs down but if money is no object, the crème de la crème of cruisewear - the cruise de la cruise - is by Tiktiner of Cannes, one of the Côte d'Azure group of designers. Selfridges opened a Tiktiner boutique in their French Quarter on the second floor this winter. Fine voile shirt-tailed cover-ups and tunics, fine voile shirt-waisters, perfect silk and linen pants and beautiful silk print dresses, seal-smooth swimsuits in stretch satin . . . here you will discover that the best looking cruisewear is the most simple, but in subtle fabrics.

Monday, March 24, 2014

Why Kim Kardashian deserves to be on the cover of Vogue

“Disgusting! These two are the epitome of VULGARITY. You will never recover from this low ...” “RIP Vogue” “Anna Wintour … it's time to step down …”

The comments posted on US Vogue’s Facebook page this weekend have not been kind. The magazine’s crime? Putting reality TV star Kim Kardashian and her partner, the rapper Kanye West, on the cover. The internet exploded with vitriol, as commenters declared that Kardashian and West were the opposite of chic: they were gauche and tacky, they lived distastefully lavish lifestyles, they even – gasp! – had a child out of wedlock. #BoycottVogue started trending on Twitter and many proudly announced that they were cancelling their subscriptions.

Cripes. Whatever you think of Kardashian and West, the rage seems disproportionate. And, while the couple's achievements do not rank beside those of, say, Peter Higgs and Francois Englert, this is a Vogue cover, not the Nobel physics prize.

This cover image taken by Annie Leibovitz for Vogue shows the April 2014 issue of the high fashion magazine featuring rapper Kanye West and TV personality Kim Kardashian. The April issue hits newsstands nationwide on March 31 and will be available on March 24 as a digital download for tablets. (AP Photo/Vogue, Annie Leibovitz)

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Still, who knew that the readers of Vogue were more exacting than the magazine's famously demanding editor? Because Kardashian has been popping up in high fashion circles for a while now, making friends with former French Vogue editor, Carine Roitfeld, sitting front row at Givenchy's fashion shows and dining at Anna Wintour’s home. When West and Kardashian's daughter was born, designers from Phoebe Philo to Alber Elbaz sent gifts. Last month, Givenchy creative director Riccardo Tisci described her as “the Marilyn Monroe of our age,” while Andre Leon Talley – the acid-tongued former editor-at-large of American Vogue – deemed her “one of my favourite muses and one of my enchanting angels”.

All the while, Kardashian has undergone a fashion transformation, plugging away at cracking high fashion now for a very long time. This is how it happened.

Kim Kardashian arrives at Nobu restaurant on September 24, 2010 in Los Angeles, California.

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This is Kim in 2010 before her fashion makeover. The look is pure reality TV: all about accentuating curves, lengthening legs and looking obviously hot, which is definitely not high fashion.

And then something odd occurred. Almost as soon as Kim started dating Kanye in 2012, he went all Gok Wan on her, encouraging her to throw away her entire wardrobe on the promise that he would replace the clothes, while saying: “It’s like, I’m getting on best-dressed lists now, I’m stepping all into this territory.” It's a bit worrying to see a makeover of this kind, captured on video here thanks to the joys of reality TV, although not unprecedented for one half of a couple to play the leading role in their combined style (see: Victoria and David Beckham).

Kim Kardashian and Kanye West Givenchy Fall/Winter 2013 Ready-to-Wear show, Paris Fashion Week, March 3, 2013

So Kardashian started dressing very differently, indeed. This – from the front row of the Givenchy show at Paris Fashion Week – is a case in point. The hair is sleek, all flesh is covered and, what with the suits being totally matching, it’s all very yin and yang – and slightly spooky.

Kanye West and Kim Kardashian attend the Metropolitan Ball on May 6, 2013

Being invited to the Met Ball is a very big deal in fashion circles, but the reaction to Kardashian's outfit – floral Givenchy and, yes, she was seven months pregnant – was pretty mean. Some compared her to a sofa, others to Mrs Doubtfire, after which Robin Williams himself tweeted: "I wore it better."

She's back at Givenchy, this time having been styled by Carine Roitfeld. Around the same time, the former French Vogue editor featured her on the cover of her fashion handbook, CR Magazine, for which she was shot by Karl Lagerfeld. Some said that the shoot, which featured, well, jam smeared over Kardashian's face, was a little weird. But it was pretty far from Keeping Up with the Kardashians by anyone's standards.

Kim Kardashian in New York, America - 20 Nov 2013, wearing Max Mara coat, Lanvin skirt

And so Kardashian developed her new signature look: a huge, expensive coat (this is by Max Mara) a pencil skirt and a cropped top. It's very fashion but very feminine and simultaneously very Kardashian. It's working.

More of the Kardashian trademark look. In this case the voluminous coat is by Celine and the colours are Spring's biggest trend: pastels.

For even more alpha fashion points, she wears a teddy-bear fur. Which is louche and cool, and really not very reality TV at all, as is her slicked back hair. In other words, in fashion terms at least, she's totally made it – and this was four months ago. If only somebody had warned the readers of Vogue.

Wednesday, March 19, 2014

Dressing down is the new power dressing: how to master 'deviation chic'

Forget Givenchy It sweatshirts and stealth-wealth Céline totes, it seems that Lycra running pants are actually the newest form of status dressing. According to a group of US professors, deliberately flouting dress codes – such as keeping your running kit on in the office - is in fact the new power dressing. Who knew that the bods at Harvard Business School had a deeper handle on sartorial semantics than Anna Wintour? Because personally, I think this study completely nails it.

In the office I'm sitting in right now it's fairly easy to cast my eye around for examples. The guy in the mantights and the sweat patch chairing the meeting in the glass box? Well, he can do that because what he is saying is so much more important than how he's dressed. He's got utter confidence in his seniority and experience, plus he's quite alpha – you know he's training for the marathon, right? That's at least what he's hoping to convey with the adoption of what I'm calling "deviation chic".

It's a wardrobe move that has its roots in Silicon Valley. All those dudes in the mom jeans and hoodies telling us what the tech future holds – from Mark Zuckerberg ahead of the normcore curve to Bebo founder Michael Birch with his Kevin Shields hair and paisley shirt. These guys have been flouting the boardroom style rules for years.

Marc Jacobs at Louis Vuitton SS14

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It's a trend that has permeated the world of fashion too. Low-key trainers have replaced power heels as the average frow look. The more status you have the more unfashion the trainers can get. Given that running has for some time been the sport that fashion editors like to claim as theirs (even model Natalia Vodianova famously likes to do the Paris half marathon a couple of hours before appearing on the catwalk) I think it's only a matter of time before an important editor sits front row in actual running Lycra and Flyknits. It's a big-scale wardrobe flout and it would take a bigtime editor to pull it off, but it may well happen.

The study also found that the "flouting it" look has traction in shops too. Retailers think that if someone is dressed in sweatpants it signifies that they are comfortable in a luxury store and so are likely to spend a lot. Unlike someone who is dressed up to shop and thus appears a little less familiar with high-end shopping. Anyone who has seen papped pics of a celebrity wearing a tracksuit, leaving a Bond street store with stiff paper bags, can confirm that this is FACT.

But don't get sloppy. Deviation chic is not about opening the floodgates to fashion mistakes. The key is that the flouting has to be deliberate. If it's an accidental misreading of dress codes – then it doesn't count. That's just getting it wrong, and that's not power-dressing at all.

Sunday, March 16, 2014

Calvin Klein's social media strategy reminds of its classic ad campaigns

Getting PR to go viral on social media is the dream of most brands, and fashion companies are no exception.

Calvin Klein Underwear has always maintained a forward-thinking digital presence, and this season its multiplatform "show yours #mycalvins" campaign is gaining viral traction on Instagram (which is replacing the fashion street-style blog in terms of relevance), Twitter and Facebook.

The label has tapped a cool set of 100 young, international trendsetters from 15 countries to be part of the social media campaign. The aim? "To curate the conversation via personal and provocative social media posts" - with each person posting pictures of themselves in Calvin Klein Underwear, the sporty, logo-bearing waistband kind popularised by the brand back in the 1990s.

There are the professionals like CK poster girl Lara Stone, CK poster boy Matthew Terry and model Miranda Kerr, and several actors, socialites and musicians among them.

But more interesting are the bevy of international self-made style bloggers, who have become Instagram celebrities and major street style influencers.

We are talking about New York's Leandra Medine aka Man Repeller, Milan's Chiara Ferragni aka The Blonde Salad, and young Sydney-based Margaret Zhang. Each has a legion of mostly young followers, a rather distinctive style and an enviable presence online.

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As evidence of the traction they are getting, the label announced that "in less than 24 hours since the first of the three influencer photos were posted, there have been over one million total fan interactions among an audience of over 50 million".

Musician Trey Songz - who has 26 million followers across his Instagram, Facebook and Twitter accounts - generated 830,000 fan interactions (likes, comments and so on) with just two posts. Model mother Miranda Kerr's intimate photo garnered more than 300,000 reactions.

Trust Calvin Klein, with all its iconic campaigns in the 1990s (remember 15-year-old Brooke Shields and an androgynous Kate Moss?), to tap into the newest big thing in fashion imagery - the "selfie".

Love it or hate it, Instagram selfies are a pop culture phenomenon - and one that has spawned plenty of social media celebrities. Whether this all transfers to actual sales for labels is debatable, especially when it comes to the partnerships bloggers have with the more expensive luxury labels.

But Calvin Klein Underwear has got the branding right, and is at the price point where the campaign could make huge financial inroads for the label.

You can be sure other brands in similar market segments are taking notes.

Tuesday, March 11, 2014

Dior’s New Mani Man

When Anatole Rainey, the freshly appointed Dior International Nail Designer, first came to Paris, it was to learn French. As fate would have it, he found himself behind the scenes at fashion shows and on shoots, putting his hobby—painting—to work for the likes of Cate Blanchett, Keira Knightley, Kate Moss, and Gisele Bündchen. “I just started helping out a manicurist friend and it kind of turned into a job,” he explained with characteristic modesty.

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And not just any job. Today, Rainey splits his time between his native London and Paris, where he brings his considerable talents to Dior’s ever-expanding line of lacquers. “The relaunch of the Dior Vernis polish is exciting because I love color, shine, and shading. It has the finish of a gel, and the adhering power of techno polymer glass technology,” he said, bringing it all back down to earth with, “[This new formula] really grabs onto the nail.”

Rainey’s not giving anything away, of course, but already the limited-edition Nail Artistry Box (launching April 1 in Europe) makes it possible to paint Monsieur Dior’s favorite symbols—such as stars and clovers—onto the nail. (One of his favorite looks for summer: sailor blue stars on an otherwise transparent nude manicure.) “Some people love 3-D nail art, but I like to interpret it in a slightly more chic way. It’s more graphic and simple,” he said, adding, “Let’s just say there’s more to come than nail polish.”

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Friday, March 7, 2014

Pretty Perfect: Design Pointers From the Pros Behind the New Pucker Makeup Studio in Soho

What was life like before the rise of the beauty bar? Much more of a hassle, that’s for sure. Built on the concept that busy individuals want to walk into a destination devoted to a single service—be it blow-outs, eyebrow shaping, braid-making, or even skin checkups—without an appointment and be out the door in less than an hour, these speed-oriented shops have been popping up with ever-increasing frequency. To which we say: Welcome. The latest arrival is Pucker, a new makeup studio in Soho, where you can drop by for touch-ups or entire face transformations in about thirty minutes. The menu features a variety of looks (everything from a red lip and dark lashes to contoured cheekbones and bright eyes) and, notably, utilizes the studio’s own cosmetics range, created by cofounder and makeup artist Julio Sandino.

Another standout feature: the beauty of the space itself. Arranged to feel like a friend’s well-edited apartment, it features sheepskin throws, vintage-minded furniture, and a number of design concepts conducive to both applying and organizing makeup brilliantly. Case in point: the vanities in the center of the room with thoughtfully placed lighting overhead and mirrors that reflect your face without being frighteningly oversized. The masterminds behind this intelligent aesthetic are Philipp and Kit von Dalwig, the husband-and-wife founders of Manifold Architecture Studio in Brooklyn, whose clientele includes Italian sneaker label Superga and industrial-cool Gasoline Alley Coffee shops in New York City. For more details on the beauty-focused interior, we spoke with architect Kit von Dalwig for pro ways to scout out a similarly modern—and pretty—setup at home.

Pucker is all about speed and efficiency—did that inform your design process as well?

It was a quick process! We finished the entire space in three months. The time frame was actually the biggest challenge.

So how can someone without a lot of free time on their hands create a sleek makeup space?

We did a mix of custom-built or specialized pieces, which took more time, along with items that were more readily available, like the mirrors on the wall, which are from West Elm.

Let’s discuss the vanity—it doesn’t look like a typical makeup table, which makes it so cool.

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We talked a lot about that. It’s modeled after a curiosity table, where you can pull out the tablets and set them on the table if you wish or slide them back and have it look neat. The concept for the space was to have tables where you could play with makeup, along the lines of a lab or workshop. The top is made from Carrara marble, which is nice, because if you seal it, you can clean up makeup spills easily and it takes on a patina that grows with you.

How did you organize the drawers so you can find everything?

We arranged the makeup by how you would apply it. So from the center of the drawers moving outward we put products for face, cheeks, and then eyes. On the top, Julio had the idea for custom wooden holders for the lipstick. We wanted to create a landscape of lipstick without the typical pyramid stands. This way, you can see all the lipsticks and you also have the flexibility to add different colors for seasons. It’s something fun and different.

What else should a woman display on her vanity? Which products does an architect swear by?

We did a glass tray with cotton swabs, cleansing products, and taller items, like makeup pencils, in the center. It’s just the basics. I don’t have much beauty stuff at home. I get stuck on one brand, so I don’t have to think about it! Now I’m really into Aesop. I love the body soaps, and I just started using the facial cleansers and oils. They smell great, and the bottles look nice, so I can leave them out.

Lighting is obviously key when putting on makeup. What was your approach for casting the right glow?

We wanted to step away from the typical vanity [setup] with round bulbs and a huge mirror. Do you really need such a giant mirror in front of you? We thought it better to make the mirror fit the table more, and be there but not be so in-your-face. Then we did groups of hanging lights overhead, which makes them more substantial and also brings down the scale of the very tall ceilings. The brass and copper on the lights make them almost jewellike, and it adds a nice bit of glitz, but not too much.

Who were your sources for the custom pieces?

We used a lot of Brooklyn millworkers. The lipstick display, vanity mirrors, and glass trays were from Reason modern furniture, based in Bushwick. Furniture maker Mark Jupiter made the three vanity tables with drawers. He’s in Dumbo, just a block down from our studio, so it was great when things had to be fast moving.

How can makeup be a “muse,” so to speak, when designing a space at home?

It’s about textures and layering different finishes—glossy versus matte, for example. The plastered wall in Pucker was inspired by that moment when you open a new eyeshadow and it has that great texture and patterned softness to it.

And I heard there’s a “selfie” station in Pucker where you can snap a photo of your finished look. Did you try it out?

I did not—I’m too self-conscious. When I was a little kid, I was the type who turned around when someone was taking a picture. I was really shy.

Tuesday, March 4, 2014

Have you tried the bronde hair colour yet?

Changing the colour of your hair with the season is trendy but you also need to choose a colour which suits your skin tone and does not look too artificial. Keeping this in mind, the bronde hair colour is back. A perfect shade between blonde and brunette that was first made popular back in 2007 by supermodel Gisele Bundchen, is back with a bang.

Jack Howard, international colour director at Neville Hair & Beauty and a colourist to icons including Poppy Delevingne, Donna Air, Kelly Brook, says that the new colour technique is making headlines at all red carpets and award ceremonies. ‘Bronde is a rage in LA and NYC (worn by the likes of Jessica Alba and Olivia Palermo)… known as the perfect combination of brown and blonde tones, bronde is perfect for dark-haired clients who want to try out a lighter colour, and can be warm, neutral or cool,'.

‘For years and years, anyone who was born with mousey hair has fought against it, either going blonde or switching all the way to brunette. Dark brunettes struggling with orange-toned highlights or too light pieces against their skin can now appear healthy and natural; the look that’s appealing to more and more A-listers,’ added the expert. One can easily attain the look with few easy steps.

Bronde

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‘The key to the perfect shade of bronde is to lighten hair by freehand painting pieces through the hair making sure that the colour is softer near the mid-section and thicker towards the ends and is even all the way through. ‘Just make sure you don’t have too much of a contrast between the roots and the highlighted ends. This colour is great for people who don’t want to completely take the plunge and go either way (full blonde or full brunette) and great for natural brunettes who want a little bit of lightness,’ said Howard. And if you are looking to colour your hair in a natural way, try colouring your hair your favourite shade with henna.

The good thing about this colour is that balances out your natural shade especially Indians who have naturally dark hair and experiment with lighter shades. This change will not look too drastic making it look trendy at the same time. Make sure you discuss which shade goes where with your hair stylist before the process.